Bill Flores's profile
Male.
From Cañada, Spain.
Currently living in Cañada, Spain.
About Bill Flores
Hi, I do music, write melodies, I can pick up chords for any song, come in
https://azchords.com
How to learn to quickly pick up chords. This method is suitable for keyboard instruments! (electronic and virtual, such as piano roll). Ideal for electronic music.
Time is the most valuable thing when making music. And if you are not friends with musical notation, then the selection of a beautiful chord sequence for you can become an obstacle, taking up a lot of time, and sometimes killing all inspiration. And instead of trying to impose some kind of melody, sequence on your chords, or continue to refine your track, you start to climb into the jungle of the Internet and look for what “intervals”, “alteration signs” are, try to understand the numeric and letter values chord, look how many sharps or flat in the chord, on which keys they line up, try to understand what key you need to build another chord, etc.
Do not waste time on it!
I prepared for you a cheat sheet, which presents 17 of the most versatile chords that are perfectly combined with each other, and give simply chic harmonies. And if you apply the method that I propose to you, then you will get 408 chords!
I deliberately removed jazz chords (for example, the standard dominant seventh chord, forgive me for music theorists), because they are not used in electronic music so often, and in general, they are poorly built with others. For the perfect combination of all chords and getting super harmony, I left the coolest chords that are guaranteed to build with each other, which are often used by the most top-notch sound designers. You do not even have to think whether they will fit together or not. Everything fits perfectly and gives just gorgeous harmonies.
You ask a reasonable question: "Why not use chords on 7 degrees in a major and 2 degrees in a minor?" Because there are reduced chords there. They are very rarely used in electronic music, and they often convey an uncertainty in sound rather than